Highjacking Ward Kimball

                                                                                                                          Ward Kimball

http://www.cartoonbrew.com/disney/advance-praise-for-the-book-that-disney-doesnt-want-you-to-read-73722.html

Above is a link to an article on Cartoon Brew talking about the difficulty author Amid Amidi is having with Disney not signing off on his book "Full Steam Ahead!", the biography of animator/director Ward Kimball.

There have been other books about the Disney staff that somehow reached print even though the individuals were depicted warts and all, so I don't know why Ward is being scrutinized and sanitized.

I was given a unique opportunity to spent two weeks with Ward and Betty Kimball back in 79.  While there Ward managed to introduce us, (I was with two other workmates), to Frank Thomas and Ollie Johnston while they were busily compiling material for their book "The Illusion of Life".  I was struck by the contrast between these gracious soft spoken gentlemen who behaved like loving grandfathers and Ward who wore a head band and implied he smoked weed when we were first introduced.

I was taken aback by much of Wards honesty and surprised by Betty's tolerance of Wards vulgar humor, (Someone had sent him a toy train to 'personalize'.  He said he was going to cut it in half and put a condom in it.)  Now you don't expect that from a Disney artist and truth be told I don't think he saw himself as that.

It's widely known that Walt Disney thought of Ward as a genius.  Ward had established himself as a successful musician and bandleader recording 13 Dixieland albums with his band The Firehouse Five Plus Two, (Frank Thomas played piano), and authored two books.  He was open minded and interested in almost everything including UFOs. 

I came away from my visit with admiration and awe.  Here was a man who deeply enjoyed life and had the confidence and self security to tackle and conquer many disciplines and yet was raw and unpretentious, willing to deflate and cut through social mores and expose the humanity.  I made a vow to try and enjoy life and have as much fun as Ward.

I really want to know what made this man tick and I haven't looked forward to a book like this since "The Illusion of Life" which was a two year wait.  I hope "Full Steam Ahead!" doesn't turn into another multiple years wait.  I've already pre-paid for it when it was first announced.

Update:  Well, Disney has won and Chronicle has killed the book.  Amid assures us the book will be printed but for those who prepaid outside of Amazon, like me, the task will be more complicated.  Personally I won't be prepaying on any books before they hit the stores again.

Team Work

Sandro Cleuzo has a great blog and this posting talks about the team work at Disney when Frank Thomas and Milt Kahl were still animating. Even a master like Frank would go to a stronger hand to get better results. The first image is by Frank and the second is an improved pose by Milt. See more and read the whole article by clicking the title.

Frank Thomas

Milt Kahl

Studio System Assistants

I'm posting a part of Matt Williames article from his blog: Hand Drawn Nomad, (click the title to take you here). I post this portion not as criticism of Disney but as further conformation of the idea that the "Nine Old Men" and other 'stars animators' of Disney owe a tremendous amount of thanks to their assistants.

In an earlier posting called First Assistants and Clean-up: the Unsung Heroes of Animation, I published an honest and grateful acknowledgment by legendary animator Bill Tyla stating his reliance on good support from his crew.

I agree with Matt and wonder why we don't know more about these wonderful artists who helped make the Lead Animators great.
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I more take issue with the "Star animator" mentality that Disney is so good at pushing. If you don't know what I mean how often do you hear about Dale Oliver? Dale was Frank Thomas' assistant for a long time, and honestly he made Frank look VERY good without getting any credit himself. Find some of Franks original ruffs, they are nothing to marvel at. Look at what Dale did with them... amazing assistant work. But you never hear about him.

Matt Williames

Merry Christmas!

I saw this on Cartoon Brew and couldn't resist. Of course that's Ward Kimball on the trombone and Frank Thomas on piano. Merry Christmas!

Twinning

Most books on animation including Disney animators Frank Thomas and Ollie Johnston’s, “The Illusion of Life” warn against drawing mirrored poses or having the same timing on body gestures that echo each other. The term is called ‘Twinning' and the argument is that asymmetry is more natural. Perhaps this is true in a still image to prevent stiffness and to give interest, but I find it happening in live performances again and again. I also recall ‘twinning’ in Disney’s “The Wind in the Willows” segment where Mr. Toad goes car crazy. Now John Kricfalusi has posted some images from Disney’s “Song of the South” that sure look like ‘twinning’ to me. I guess when you make the rules you can break them too.

Disney Family Album

Animator Steve Vitale has posted many of the Disney Family Albums which feature some the major animators who defined the look and style of the studio. You can find it here: http://loosetoon.blogspot.com/2007_02_01_archive.html

Sentimental Journey…

Going through a book of mine for reference I glanced at the autograph at the front and recalled the great opportunity of meeting this legend of Animation. It suddenly dawned on me that I’ve been blessed to have met three of Disney’s Nine Old Men: Frank Thomas, Ollie Johnston, and Ward Kimball, all in good health and productively vibrant. Here are others I’ve met and am glad I shamelessly asked for autographs: Chuck Jones, Ray Harryhausen, and one I treasure for the brief time I spent with him, a fellow fan of Laurel and Hardy, Joe Ranft. Thanks guys, for inspiring us all.