"Kubo and the Two Strings", Laika's latest film, is about to be released. It looks fantastic.
In past postings on this blog about
stop motion in general, and in the digital age, (type Stop Motion in the search bar to see all the posts), I’ve personally wrestled with the reasoning
behind this hybrid style because it seemed as though everything could have been
done with computers. Now, I think the penny
has finally dropped, and I’m beginning to understand the logic behind it.
Personally, as an animator who has done both stop-mo and c.g., if I were given a puppet
that was well built and allowed me to get the gestures I wanted, and having the
same character built as c.g., I would choose the puppet anytime. Let me explain. The interface of a c.g.
character is not as immediate or intuitive as touching and moving a
puppet. I could move much faster, and
keep my focus on performance by not having to pick through
menus and processes that are found in computer animation. Somewhere in this blog are posts about input devices that would allow a person to manipulate a puppet that moves a c.g. figure, so you can see the idea of 'if only I could just grab this thing and move it around', has been thought about in computer animation.
True, the computer allows you to
embellish and improve the animation through a process of refinements, but with
the new frame grabbing software programs like Dragon Stop Motion, you can see your
scene as you are animating, and play it back at real time, and make changes to your
animation without re-shooting your whole scene, similar to the computers allowing refinements. Both styles of animation are time consuming and take great skill, so where's the advantage?
Here’s the logic: By building your character as a stop motion puppet you have the speed and intimacy of stop motion, plus the new power of digital assistance while animating, in rig removal, facial replacements. And by building a c.g. character, it can be manipulated with no restrictions, (armatures,
support rigs,) for facial animation, special effects, populating crowd scenes, and it would interface with particle programs and other c.g.
dynamics making the best of both worlds.
We’ve already talked about computers
used to export or rapid proto type printing of props and full color replacement heads, and we talked
about computers for sets and environments where characters are added into it through
green screen.
The computer has changed the way films are made in every way. Live action movies are loaded with effects no one would know were there until shown. Computers have change the way animated films are made, people no longer using paper and pencil, paint or even film. So, I think I finally get
it.
Kudos to Laika and “Kubo and the Two
Strings”.
